LONGA NAHAWAND PDF

Moving on to introducing some of the symbols needed to play Longas on Oud, such as segno, iterative melody, verses and chorus. After that Mr Tareq gives an application on Serto Nahawand of Jameel Baik Al Tanbouri Mr Tareq focuses also on the idea of extracting exercises from tracks and practicing each bar separately. Track, and moves on to other verses, also talking about the Chromatic scale while. Today we will get introduced to 2 templates, first one is called Longa, second is called Serto. Longa, as you see, we have these symbols, which are : 1 in Latin, then we have an S, which is Signo or iterative melody, because this melody will be repeated, a 2 in Latin, those 1 and 2 we will call first verse and second verse, then chorus or Signo, third verse in Latin, Signo, fourth verse, Signo and that concludes the Longa. Longa is a fast template, consisting of those parts, and we have the Signo or Chorus.

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The Cadenza gives the Violin a chance to dominate the movement, but the final word is for the dissonance, confusion and the rhythm distraction at the end. The second movement is called "Caucasian Dance", it is a lively happy song of a mother expressing her joy and love to her little child. His existence in her life transformed it from a dark winter to a sunny spring. The major and minor tunes reflect the happiness and sadness in this movement. I tried to keep the simple harmonic chains and bass figure of Tango music and the modern arabic melodies in Nakriz scale, using the classical Ternary form to reach the perfect formula of an Arabic Tango.

The Tango Rhythm blends in the middle of the piece with the walk of Camels through the desert, and the war drums become louder at the finale. The piece opens with the sounds of a calm sea and the dark blue feelings of homesickness. Heartbeats are heard and become louder gradually as the piece progresses. A sudden storm strikes and attacks the delicate sea waves while the Violin desperately tries to survive.

Finally, nothing survives but the moonlight reflection on the calm sea waves. It is composed in Nakriz tonality and inspired by the Polka Gipsy rhythms and harmonies. In this movement you can listen to the dialogue between the two solo Violins: loud arguments and soft confessions.

They mainly disagree about everything, so that leads to another movement to work things out. The second movement of this piece "Longa Nahawand" is an instrumental Turkish music composed by female Turkish composer Kemani Kevser Hanim and arranged by myself.

Arguments settle in this movement after the cadenza. The two violins play together in harmony and the situation is changed to one of mutual understanding and joy of playing on one side. This Longa is composed in Nahawand tonality, the equivalent to the Minor tonality in classical music.

The arrangement includes features from Acid Jazz and Funk music genres.

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The Cadenza gives the Violin a chance to dominate the movement, but the final word is for the dissonance, confusion and the rhythm distraction at the end. The second movement is called "Caucasian Dance", it is a lively happy song of a mother expressing her joy and love to her little child. His existence in her life transformed it from a dark winter to a sunny spring. The major and minor tunes reflect the happiness and sadness in this movement. I tried to keep the simple harmonic chains and bass figure of Tango music and the modern arabic melodies in Nakriz scale, using the classical Ternary form to reach the perfect formula of an Arabic Tango.

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Problems playing these files? See media help. Maqam Rast is said to evoke pride, power, soundness of mind, and masculinity. At a more basic level, each jins is claimed to convey a different mood or color.

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